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Figures – Black Mannequins, 1972
A group of five figures – mannequins made from black dyed jute fabric. These are early works by Abakanowicz marking a new direction in her art where human forms lose individuality yet remain diverse, carrying a mysterious organic structure reminiscent of nature and life. The figures are integral to the group – similar but unique, performing different gestures and expressing individual emotions. The work has been owned by the artist for years and exhibited in many international shows from Düsseldorf to Kielce.
Portrait of the Creator
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Artist
Magdalena Abakanowicz
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Date of birth and death
20 June 1930 – 20 April 2017
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Natinality
Polish
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Style
Postminimalism, Fiber Art, Sculpture, Constructivism influences
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Significant works
Agora (2006), Birds of Knowledge of Good and Evil (2001), Abakans (1960s–70s), Crowd I (1986–87)
Information about the work
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Year:
1972
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Execution technique:
mannequin, black dyed jute
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Location:
Warsaw, private collection, artist's own collection
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Theme:
group of human figures, individuality and anonymity, human condition, relationship with nature
Internal Narrative and Creative Framework
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Inner Narrative
The figure and its multiplication are a metaphor for life, individuality versus group, crowd. The black mannequins symbolize the biological and psychological dimensions of humanity as well as the universal human condition, complexity, and elusiveness of identity.
The key to interpreting the work
When viewing the sculptures, it is important to pay attention to the dynamics of the group as well as the uniqueness of each figure and to consider the relationship between humans and the organic and social world.Auction information
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Estimated price:
800 000 - 1 000 000 zł
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Auction price:
1 300 000 zł
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