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Bird from the Ucello series, 2009
Large-scale aluminium sculpture depicting a stylized bird from the Ucello series. This work combines the expression of human strength and fragility through the prism of nature, referring to the artist's war experiences. The presented form is maintained in a synthesized, abstract style with outstretched wings, suggesting flight that is nonetheless trapped on a pedestal. The sculpture aims to provoke reflection and leaves a broad field for interpretation, remaining a mysterious and symbolic form.
Portrait of the Creator
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Artist
Magdalena Abakanowicz
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Date of birth and death
20 June 1930 – 20 April 2017
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Natinality
Polish
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Style
Postminimalism, Fiber Art, Sculpture, Constructivism influences
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Significant works
Agora (2006), Birds of Knowledge of Good and Evil (2001), Abakans (1960s–70s), Crowd I (1986–87)
Information about the work
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Year:
2009
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Execution technique:
aluminium
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Location:
Bydgoszcz, private collection; Poland, private collection; artist's collection
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Theme:
naturalism, bird symbolism, flight, fragility and strength of the human condition, abstraction
Internal Narrative and Creative Framework
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Inner Narrative
The symbolism of the bird expresses the tension between freedom and captivity, flight and limitations, reflecting the artist's war experiences and existential reflections.
The key to interpreting the work
It is worth observing the contrast between the bird's form and the weight and stability of the pedestal, interpreting the sculpture as a metaphor for the human fate and condition.Auction information
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Estimated price:
800 000 - 900 000 zł
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Auction price:
750 000 zł
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