Biography

Diego Rodríguez de Silva y Velázquez (1599-1660) was a leading Spanish Baroque painter, court artist to King Philip IV, and a preeminent figure of the Spanish Golden Age and Western art history. Known for his realistic portraits, historical and mythological paintings, and innovative brushwork, Velázquez produced masterpieces like Las Meninas and The Surrender of Breda.

Early Life and Apprenticeship

Born in Seville in 1599, Velázquez apprenticed under Francisco Pacheco, developing skills in realistic depiction and studying classical art and literature. He married Pacheco’s daughter in 1618.

Career at the Royal Court

Velázquez moved to Madrid in the early 1620s, becoming court painter for King Philip IV. He painted numerous royal portraits, including the king, queen, and royal children, and historical works such as The Surrender of Breda.

Italian Journeys and Artistic Development

Velázquez made two trips to Italy, where he studied masters like Titian and Rubens, and painted important works including Apollo in the Forge of Vulcan and the Portrait of Pope Innocent X.

Later Years and Masterpieces

His late period included masterpieces such as Las Meninas, depicting the royal family and complex play of perspective and representation. He also gained knighthood and official court positions.

Nationality

Spanish

Categories

Painter, Portrait

Themes

Portraits of Spanish royal family and commoners, mythology, historical events, kitchen scenes (bodegones), religious scenes

Knighthood and court honors

  • 1658

    Knight of the Order of Santiago

    Velázquez was granted knighthood in the prestigious Order of Santiago, acknowledging his service and status at the royal court.

  • 1649

    Election to Accademia di San Luca

    Following the acclaimed Portrait of Pope Innocent X, Velázquez was accepted into the prestigious Roman academy for painters.

  • 1652

    Aposentador Mayor (Major Housekeeper) Appointment

    Velázquez was appointed to a high court office responsible for royal quarters, reflecting his elevated status in court.

  • 1650

    Manumission of Juan de Pareja

    Velázquez freed his assistant and slave, Juan de Pareja, who was also trained as a painter.

Art works

    Newsletter

    Join our newsletter and stay up to date with all the latest news.

    This site is registered on wpml.org as a development site. Switch to a production site key to remove this banner.